Through a thoughtful interview, Miranda Otto opens up on subjects as varied as her latest role as a regal sea creature to the profound lessons gleaned from theatrical mistakes and meeting admirers.
Your latest role is the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would it be and why?
Straight away, the blue groper found at Clovelly beach â since it is a local landmark, and individuals visit specifically to spot it. It strikes me itâs cool that thereâs a local fish that people actually seek out and talk about â it holds a unique status.
What film do you always return to, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this picture. During my childhood, it would air on the ABC every now and again, and once I videotaped it. I just thought it was so funny. It stars Carole Lombard and Jack Benny. Not long ago they were playing it at the Ritz and I discovered that it was the preferred movie of an acquaintance, and so we went and just laughed repeatedly. Itâs such masterful work of humor and all the actors in it are superb. Mel Brooks did a remake in the 1980s â which was not as effective. But the original film is a brilliant comedy, worth viewing often.
What is the most valuable lesson you learned from someone a colleague?
I was doing A Dollâs House alongside Peter OâBrien â now my spouse, but at the time we were not a couple. We were playing opposite each other and on opening night I stumbled â I jumped ahead a few lines in the script. I was unaware of my error but I abruptly sensed something wasnât right. I recall looking at him, and he completely saved me, and then the scene took off again and proceeded splendidly. But I think what I learned then was, firstly, always trust the individuals youâre working with. When you lose where you are, by looking and look at the actors sharing the stage with, you can rediscover where youâre meant to be in some way. Itâs such collaborative endeavor, acting on stage. And next, just to have a sense of fun regarding it. Occasionally when a mistake occurs, things can ignite in a really great direction if youâre really present in that moment. It may become an unexpected boon when things go absolutely the wrong way.
Can you describe your most memorable interaction with a fan?
Itâs not a single particular interaction but when I meet fans of Lord of the Rings, particularly women, I am told numerous stories about how that character meant to them when they were younger ⊠things that had happened in their lives and how much that character signified for them and was a form of support to them in those times.
What do you get asked about the most by Lord of the Rings fans?
The most specific question is always about the stew her character prepares for Aragorn. âDid that stew taste really that bad?â It has evolved into a running gag, the entire episode about the stew, and everyone wants to know the contents of the pot, and how was it made, and do you think her skills improved now, or do you think she really is a poor chef? People are, I think, obsessed with the comedy of that situation. And I provide lengthy descriptions listing the ingredients that constituted the concoction â as I recall what they did; such as put bits of red cotton to simulate the appearance like blood vessels in the meat. They went to extreme measures to render it as bad as possible.
Whatâs been your most embarrassing run-in with a famous person?
I attended a pilates class and another participant lying down exercising, and the instructor remarked, âHello Miranda, meet Miranda.â And I made some joke about, âmight you be a journalist?â Because itâs an unusual name and often when I meet another Miranda, theyâre a journalist. I hadn't properly identified her. And as she rose, it was the actress Miranda Richardson. Then I was at a loss for what to say. I was obliged to stay and do my class, and I felt so embarrassed. I wanted to say: âGoodness, I am aware of who you are!â I think her talent is immense and I was simply too awestruck to utter a syllable.
Itâs been confidently claimed that you were named after Prosperoâs daughter in Shakespeareâs The Tempest, and yet Iâve read you saying otherwise â can you settle the matter definitively?
Indeed, I was christened for a district in Sydney. My mother learned via broadcast that they were opening a shopping centre at that location, and the name sounded like a nice name.
Whatâs the most chaotic thing thatâs ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the least organized set Iâve ever worked on, and yet the film turned out brilliantly. But the local crew operated in such a different way. Their concept of time there is unique. In Australia, you normally have a call sheet and you have to be on set by a certain time. But this was rather flexible â one would appear whenever you happen to be ready. It was a really different way of working for me. All aspects were all coming together at the final moment, and sometimes the plan was unclear the next location the next day how we were going to do it. And then I would be in during a scene and be like, âWhat caused that sound that just interrupted the scene? Oh, itâs the producer popping open a bottle on set, to start a party.â The result was excellent, but wow, itâs a really different approach to film-making.
Do you have a secretly good at?
I naturally possess an aptitude for numbers. I retain numbers easier than I memorise words often, I simply have a numerically-oriented mind. So I think had I not pursued acting, I probably would have worked in something to do with numbers, like math or accounting.
What is the greatest piece of advice you have ever received?
When I was in high school, someone addressed us as we were graduating and they said, âhave no fear to failâ ⊠an idea I consider is supremely valuable counsel, since one gains far more from setbacks than you learn from success. Success, one rarely comprehends exactly how it happened. Failure, you learn abundant.
A passionate gamer and content creator with years of experience in competitive gaming and strategy development.