Six unlikely but brave kids confront the path of a vast and dreadful paranormal evil that has entered our world from the outer limits of darkness. They have no choice but to spend their lifetimes battling it, facing one nightmare after another in the struggle.
This is the plot, in essence, of Stephen King’s novel It (his best; no arguments). It is also the plot of Stephen King’s offspring Joseph Hillstrom King’s new horror doorstopper, in which a band of six summon the ancient, utterly malevolent serpent the Sorrowful Monarch from the Endless Night to assist them in vanquishing some villains. As one might expect, their supernatural ritual has unintended consequences.
Joseph Hillström King launched his profession going to great lengths to avoid any connection from his well-known dad, adopting the nom de plume he continues to employ and avoiding meeting his agent (he bears a strong similarity to his parent). However, in his newest work, he leans into it. Certain passages that deliberately echo some of his father’s iconic (the famous Dark Tower introduction); a moment that brings to mind a recurring theme in King’s works (a riddling contest). In this whopper of a novel, Joe Hill takes pleasure in his lineage, and the audience revels alongside.
Focusing on the companions: five of them are students at the fictional this academic setting in this northeastern locale. We have Arthur, bookish and brilliant, solving ancient puzzles in his free moments; the character Colin, rich, sharp, and known for crushing those who oppose him; the twin siblings; the beautiful Allie herself. And there’s Gwen, who isn’t their classmate, but emerges as crucial of their band as they dabble, partly convinced, half not, in supernatural practices.
The protagonist finds himself, due to circumstances beyond his control, obliged to take valuable volumes from his treasured institution’s archives by a set of regional villains. This tears at his bookish heart, particularly as he’s forced to acquire the library’s most valuable and chilling publication: the diary of practitioner the historical figure (condemned “for conspiring with dark forces in 1703”; the book’s jacket is fashioned from his hide). The intrepid group peruse the diary, realize they are able to call forth what Crane describes as a cunning serpent to aid our hero with his blackmail problem – and spend the rest of the novel reaping the consequences. King Sorrow will certainly eliminate those troublesome local drug dealers, but they’ll have to choose a different victim annually or fall prey to the beast. As Arthur later puts it: “You invoke terrible forces, all you get is more dragons.”
Moving through four decades, the author shifts with effortless ease through various literary forms: as the friends attempt to deal with the situation they find themselves in by, in different ways, choosing undeniably wicked targets to sacrifice, or hunting down ways to slay the beast themselves, we go from suspense to dark fantasy, black-ops torture to romance to terror. My favorite genre switch was to a quest story, within the subterranean depths beneath this UK region, a section sprinkled with the Lord of the Rings author that was magnificently horrifying.
The novel features trolls – bridge-dwelling ones and online ones, truly terrifying and expertly realized. There are magical swords and deceptions, breath-taking moments of courage and scenes of appalling malevolence, both mortal and extraterrestrial. It stands as a masterpiece: a frightening tale that is above all a tribute to the imagination, and to love and friendship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the friends gather at the table, preparing to summon their beast into being with the power of their thoughts.
In the author’s own words in his opening statement: “This is dragon territory”. Ensure you experience it.
A passionate gamer and content creator with years of experience in competitive gaming and strategy development.